![]() ![]() Take out the construct straight ahead and hit the yellow switch to create an elevator, so you can now easily move between the lower floors and this floor. Go to the minecart you rode to the second lock, but instead of riding it back to the other side, hit the switch with Yunobo to go up a floor, arriving at a workshop-like area with multiple carts and tracks: Image: Nintendo EPD/Nintendo via Polygon ![]() Defeat the construct and hit the gong with Yunobo. Use Yunobo to break the marbled rock in the lava and activate Recall on the stone plates that are drifting down the lava bank. Now ride the minecart on the left, and hit the switch so that the track goes straight. Ride the minecart back to the platform you hit the switch from. Ride forward and defeat the construct to get a chest with 10 arrows inside. You’ll hit another gate, so hit this switch to rotate the tracks and lift the barrier. Ride forward, making sure Yunobo hits the round track swapper in front, so that the cart goes right instead of left: Image: Nintendo EPD/Nintendo via Polygon Ride the cart until the end and hit the nearby mechanism to flip the cart around instantly: Graphic: Julia Lee/Polygon | Source images: Nintendo EPD/Nintendo via Polygon Stop the cart at this corner if you want to grab a chest with 10 arrows inside: Image: Nintendo EPD/Nintendo via Polygon If a construct appears on the track to your right, take it out with Yunobo. If your cart vanished, you can grab another one in the same room, nearby where you picked up the hydrant from the first lock. Hit the yellow switch to raise the blockade, allowing your cart through. Head back to your minecart after you’re done. Note that there will be constructs waiting for you up top, so be ready to fight. Grab the Zonai hydrant capsules on the right and hit the gong with Yunobo to activate the first lock.īacktrack to the room you left your minecart in and climb up this wall for an optional chest with a diamond inside: Graphic: Julia Lee/Polygon | Source images: Nintendo EPD/Nintendo via Polygon Use the hydrant to make rock slabs and use Ultrahand to connect the slabs to create a ramp for Yunobo like this: Image: Nintendo EPD/Nintendo via Polygon Take out the fire like to get a strong Zonaite shield from a chest. Continue on the path to see a fire like and a breakable rock clogging up an entrance. ![]() As you approach this switch, fire Yunobo into it to change the direction of the tracks: Image: Nintendo EPD/Nintendo via PolygonĪfter the tracks stops you, hop out of the minecart, grab a hydrant, and head left. ![]() Hop on the cart and hit the fan to make it move. You do not have to do them in this order, but we strongly recommend doing them in this order, since this temple is more linear.įrom the main corridor, head south and cross the lava using the floating platforms and the hydrant (the same way you used the hydrant to reach the Fire Temple). From here, you’ll need to ride the minecarts around the temple and use Yunobo’s ability to hit gongs to unlock the latches.īelow, we list out how to unlock all five of the Fire Temple’s locks. A teleport point will also open up for you. On the right, there’s a chest with 10 arrows inside.Īfter you interact with the altar in the center of the temple, you’ll notice five locks preventing you from moving on. On the left, there’s a room with metal weapons for you to use. As you head straight in, there’ll be small rooms on both sides. The Fire Temple Entrance requires diving into Death Mountain and navigating through the Depths.Īs you approach the temple, talk to Yunobo and use his ability to break down the rock blocking the entrance. That involves a minecart ride up Death Mountain and a boss fight. To get to the Fire Temple on Death Mountain, you first must travel to Goron City and complete the “ Yunobo of the Goron” quest. ![]()
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![]() ![]() I know the platform is in its incipient stages, so it would be great to see what's possible with the evolved version. The fact that I can onboard any new user in a matter of seconds is a fantastic bonus. Now we output thousands of documents at a fraction of the time/cost, and my team are much happier that they can spend that time on strategic tasks. Portant took all that and made it streamlined through a single platform. This obviously had a high cost associated with it, and my employees found the work menial. Until I discovered Portant, so many of my MailMerge (and related) functions are work were done either by hand, or by cumbersome combinations of automation technology. It was so easy to get started and even understand the advanced features - plus they're highly responsive with their customer service. It's basically automation without the setup labor cost. Portant allows me to takes tonnes of raw data - contacts, PowerPoint files, contracts, invoices etc - and turn them into something useful via their workflows. Most of the latter is achieved through high levels of communication, and that requires constant updates across many projects. Perhaps a future version of the software could make this an operation an included option.īeing a marketing professional, my role is part craft, part keeping clients happy. My desire for a serial number printed on a document with a QR requires an extra manual step. The number of contacts can be increased if you have a higher level gmail account. I am working with a free gmail account and I can send many different forms to a maximum of 100 different contacts per day. The end result is exactly what I wanted and the Portant Data Merge will save me many hours of work. They helped me immensely in getting my spreadsheet to generate a serial QR code that will appear on the contestant's form to make tracking so much easier. The people at Portant Data Merge were present in-person through e-mail and offered an online live conference. I took an opportunity to add an emailed note customized for each entrant through the app. The entrant fills out a google form and is automatically emailed a PDF of their customized printable form. I am using this app to mail merge entries to a scale model contest. While I did not take advantage of an internet meeting, one was offered even before I had really started asking for a feature addition. I have exchanged several e-mails for tech support around my desire to accomplish something that was not included in the original design. ![]() ![]() ![]() Key and Scale sync – The new Key and Scale feature in Live 11 is linked to Push and can be changed per clip. Visualizations for new devices – See visualizations of key parameters in Hybrid Reverb, Spectral Resonator and Spectral Time on Push’s color display and control them directly from the hardware. Live 11 also brings new functionality to Ableton’s Push hardware instrument: Upright Piano, Brass Quartet and String Quartet are three Packs created in collaboration with Spitfire Audio that capture popular orchestral instrument combinations in intimate detail. Voice Box, Mood Reel and Drone Lab are Ableton-designed Packs that each explore the spectrum of a specific sound palette. Scene Follow Actions make evolving arrangements possible. ![]() Improved Follow Actions – Follow Actions can now be linked to the clip length, be set to jump to specific clips and be enabled and disabled globally. Velocity chance – Defines ranges for velocity probability for subtle, humanized variations in dynamics. ![]() Note chance – Sets the probability that a note or drum hit will occur. Rack improvements – Racks can be configured to have between 1 and 16 Macros, Macro states can be randomized with the push of a button. Macro Snapshots – Store the state of Macros for later recall. Live Tempo Following – Live listens to and adjusts its tempo based on incoming audio in real time. PitchLoop89 – Creates jittery glitch effects, delayed digital shimmers and outlandish vibrato. Made in collaboration with Dillon Bastan. Inspired by Nature – Six playful instruments and effects that use nature and physics as their inspiration. Spectral Time – Transforms sound into partials and feeds them into a frequency-based delay, resulting in metallic echoes, frequency-shifted and reverb-like effects. Spectral Resonator – Breaks the spectrum of an incoming audio signal into partials, then stretches, shifts and blurs the result by a frequency or a note in subtle or radical ways. Hybrid Reverb – Combines convolution and algorithmic reverbs, making it possible to create any space, from accurate real-life environments to those that defy physical reality. MPE-capable native devices – Wavetable, Sampler and Arpeggiator are updated to support MPE. MPE support – Add bends, slides and pressure for each individual note in a chord, add subtle expression variations, morph between chords and create evolving sonic textures more easily.Įxpression View – Edit the pitch, slide and pressure envelopes of each note to refine the expression in your music. Linked-track editing – Link two or more tracks to edit their content simultaneously. The best parts of these takes can be stitched together for the final result. It comes with effects, instruments, sounds and all kinds of creative features-everything you need to make any kind of music.Ī partial list of what’s new in Live 11 includes:Ĭomping – Live organizes multiple passes of an audio or MIDI performance into individual takes. Ableton Live 11 Suite v11.2.11 Incl Patched and Keygen-R2R Live is fast, fluid and flexible software for music creation and performance. ![]() ![]() If the supervisory authorities fail to address your complaint properly, you may have the right to a judicial remedy.įor details about your rights under the law, click here. You have the right to file a complaint with supervisory authorities if your information has not been processed in compliance with the General Data Protection Regulation. You will have the right not to be subject to a decision based solely on automated processing, including profiling, which produces legal effects concerning you or similarly significantly affects you. 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You have the right to request the removal or deletion of your personal data if there is no compelling reason for us to continue processing it. ![]() The right to erasure (right to be forgotten) You have the right to have your personal data corrected if it is inaccurate or incomplete. You have the right to get confirmation that your personal data is being processed and have the ability to access your personal data. You have the right to be informed about the personal data we collect from you, and how we process it. Depending on the legal basis for processing your personal data, you may have some or all of the following rights: When using our website and submitting personal data to us, you may have certain rights under the General Data Protection Regulation (GDPR) and other laws. If you have any concerns about your personal data with regard to this website please get in touch here: Christiana Your Rights ![]() Please view Squarespace's Privacy and Cookie Policy for more information on how they, as a third party, collect/process personal data. Additionally we have disabled Squarespace Analytics cookies unless the user opts in via the cookie pop-up message when visiting the website. It is only through Squarespace's (the third party who hosts this website) cookies and our 'Get In Touch' form that they or we are exposed to any of a user's personal data. We have disabled the Squarespace 'Activity Log' so we don’t collect or see visitors’ IP addresses. Practically speaking, given this website is a simple web presence for Dr Markiewicz, the amount of personal data we process/possess is low. Any capitalized terms not defined herein will have the same meaning as where they are defined elsewhere on our website. Our privacy notice also explains certain legal rights that you have with respect to your personal data. Our privacy notice tells you what personal data (PD) and non-personal data (NPD) we may collect from you, how we collect it, how we protect it, how we may share it, how you can access and change it, and how you can limit our sharing of it. This document governs the privacy notice of our website .uk. ![]() ![]() It's a shame that this didn't put them back into mainstream relevance but subsequent releases were enough to prove the band's staying power. Black Sabbath feels renewed here and the album has its share of classics even if they are frequently dwarfed by the band's more famous ventures. Like any good 80s slasher flick, Headless Cross is a little too dated to have the scare factor it may have once had but its excellent performances give it a timeless appeal. If anything, pointing out all the times Martin ad libs and references Satan would probably make for a fun drinking game. The results are about as campy and may be too cheesy for those used to grimmer insights. In contrast to the occult warnings of Sabbath's classic era, Headless Cross is much less subtle and takes cues from King Diamond. The lyrics also opt for a darker tone though this has become a point of contention for some listeners. Elsewhere, "Devil And Daughter" borders on speed metal, "Black Moon" effortlessly alternates between blues and power metal, and the closing "Nightwing" serves as a grand but ominous ballad. The title track and "When Death Calls" are easily the album's strongest tracks as the former recycles the anthemic march of "Heaven And Hell" to great effect while the latter has some climactic tempo changes and soaring vocals. ![]() The band's doomy power glam template also allows for varied songwriting. Bassist Lawrence Cottle also manages to stand out on the title track despite only playing on this as a session member. Tony Martin also seems to be more comfortable this time around, showing off a wide range and dramatic character that was previously limited by a need to match Ray Gillen. One Of The Most Underrated Sabbath Album Of All Time1989, 2010 JPN Remaster/ Genre: Doom MetalNote: Ozzy WASN'T The Brains For The Band, Just A Frontman/Son. The production is clearer than The Eternal Idol's had been, giving Goeff Nicholls's keyboards room to provide some admittedly dated atmosphere and allowing drummer Cozy Powell's hard hitting barrages to give extra aggression to Iommi's signature riffs and solos. My first Sabbath song was Iron Man and then I heard Headless Cross and I was very impressed with how heavy it was Now hearing it reminds me of when I was going to school there and how I would listen to it often and watching Army of Darkness around the time of Halloween back. It wasn't a monolith statement but it could be regarded as the first true Sabbath album since the early 80s.įor starters, there hadn't been a Sabbath lineup that showed off this much talent and chemistry since The Mob Rules. Headless Cross was actually my first Sabbath album That was in 1993. The Eternal Idol had previously explored a darker sound and introduced what was left of the fanbase to singer Tony Martin, but Headless Cross perfected the style and pushed its strongest elements to even further heights. ![]() Though it was barely acknowledged when first released in 1989, it's hard to emphasize just how significant Headless Cross is in the grand scheme of Black Sabbath's career. Review Summary: The first true Sabbath album since The Mob Rules ![]() ![]() ![]() For example, if youre using our Birch and Fog CBD Oil, which has 30 mL per. This calculator predicts that your bottle includes 1380 drops, with around 10 milligrams of CBD per milliliter in the bottle, if you're taking our CBD Night Formula, which contains 30 mL and 300 mg of CBD. Find your optimal dose of CBD here with our CBD oil dosage calculator. Calculation of fog-point via Craddock & Pritchard method Mean cloud amount (oktas), 0-2 2-4 4-6 6-8 Mean geostrophic wind speed (kn), 0-12 13-25 mean. fog, cloud of small water droplets that is near ground level and sufficiently dense to reduce horizontal visibility to less than 1,000 metres (3,281 feet). For example, if you're using our Birch and Fog CBD Oil, which has 30 mL per bottle and often 1000 mg of CBD oil, your bottle will have approximately 1380 drops, with about 33 milligrams of CBD per ml. ![]() Since no two CBD products are identical, there is no such thing as a one-size-fits-all solution.Ī single CBD drop may contain more or less milligrams depending on your CBD oil and bottle. Once you entered your information, it will give you the suggested minimum, average, and maximum dosage per day, as well as how many drops the container likely holds.Īgain, speaking with your doctor before using CBD or starting a specific dosage is critical. An online gof fog calculator to find the (fog) (x) and (gof) (x) for the given functions. For example, a function f (x) f ( x) that is defined for real values x x in R R has domain R R, and is sometimes said to be 'a function over the reals.' The set of values to which D D is sent by the function is. This CBD dosage calculator is based on three factors: the size of your CBD bottle (1000 mL), the total milligrams of CBD in the bottle (500 mg), and your approximate weight (i.e. What is domain and range The domain of a function, D D, is most commonly defined as the set of values for which a function is defined. ![]() It will then output a “calculated” CBD dosage in milligrams, with the precise quantity of drops stated below in milligrams. Gunning realized the problem quite early and became the first to take. You can enter the mg content of your tincture bottle as well as the CBD mg content, followed by your weight in pounds (lbs). ( Use our free Fog Index Calculator to grade your text using the Fog Index formula). ![]() ![]() You’ll select this button and then navigate to the synced Dropbox folder containing your Notability PDFs. A new dialogue box will appear with an “Add…” button. In that menu, you’re looking for the “Import Folders” option. Opening up Evernote (in Windows), select the “Tools” drop-down menu. Now what remains is importing these files into Evernote.Ĥ. Also you’ll want to ensure that the export file format is PDF.Īt this point, you should be successfully backing your notes up to Dropbox. Notability notes need to be backed up into a separate, Notability-only Dropbox folder. When you press the blue settings button to the right of the Dropbox setting (visible in the screen shot above), you are brought to Dropbox-specific configuration options. Now, selecting the “Auto-backup” option, ensure that Dropbox is linked to Notability (or go ahead and link it).ģ. First, in Notability, open up the app settings by selecting the gear in the lower right-hand side.Ģ. ![]() So, with your Dropbox account in hand and a Windows install of Evernote, here’s how to set things up.ġ. This solution also requires linking Dropbox to your Notability app to automatically back-up your notes. For some reason, only the Windows version has the “Import Folder” feature that I use to make this work. So, based on this question from Jeff Aman, let me outline how I do this.įirst, and perhaps the deal-breaker for some, you need to have a Windows install of Evernote. In order to make the notes searchable, I always add a few keywords to the note using the typewriter tool in Notability or add a very descriptive title)). ![]() I do this for a few reasons: the first is I use Evernote as my central repository for “keeping all my things” so it makes sense to be able to archive my notes in this way secondly, as I am a premium Evernote user, the notes get OCR’d, so not only are they archived, but can appear as I search for items in Evernote ((It is worth noting that Evernote does a fairly poor job of OCR’ing my handwriting. In concert with my handwritten notes, I’ve developed a paperless workflow that I use to automatically ((Well, as close to automatic as you can get–this process still requires opening Evernote in order to suck up the Notability notes)) import my Notability notes into Evernote. In this earlier post, I outline why Notability is my preferred app for taking hand-written notes on my iPad. ![]() ![]() ![]() Expect a finger workout though, as it's quite an exercise in 3D gaming. And even then you'll experience plenty of erroneous tile selections.ĭevice limitations aside, Moonlight Mahjong offers a decent touch-enabled adaptation of a classic game. You'll be zooming, dragging, and rotating the board on every turn as it's the only way to select the right tiles. Because the iPhone is designed to be touched with a finger instead of a stylus, expect trouble in selecting tiles when zoomed out. The only flaw with Moonlight Mahjong is ironically derived from the touchscreen's limitations. Using your fingers, you're able to zoom in and out, rotate the board, and even switch between portrait and landscape perspectives. Together, they provide full control over each puzzle. What really separates this version of mahjong from any other are the touch controls and accelerometer. That isn't to say you can't fail to complete the puzzle, as I found out on some of the harder tile layouts, of which there are a dozen in total. For starters, every puzzle can be solved, meaning you'll never be stuck with a pile of identical tiles on top of each other at the end of a game. There are distinct improvements to the game though, which help those who may have never played mahjong before as well as eager novices. ![]() Of course, only tiles that are open (can be removed by sliding left or right without disturbing other tiles) can be selected and paired up. The objective is still the same: remove all the tiles on the board by tapping identical pairs. Moonlight Mahjong builds on that core game with touch controls and spiffy 3D graphics. It has been honored as a "Best Board Game" on the App Store, and was in the original Best 100 Apps and Games on forms of mahjong have been a staple of PC and console gaming almost since the birth of household computing, helped of course by its inclusion in an early version of Windows, which is where I played my first game of mahjong solitaire as it's more accurately known. Moonlight Mahjong is the original 3D Mahjong Solitaire on iOS, having debuted with the launch of the App Store in 2008. The full version of Moonlight Mahjong offers a few additional features with no advertisements. This free advertising-supported version of Moonlight Mahjong features five complete game modes (the main four, plus 'Lightning Mode'). Perfect for when you're just not in the mood to strategize or rush. Relaxation Mode: Clear boards with no time limit and automatic reshuffling when out of matches.This is the original game mode, what people usually think of as Mahjong Solitaire. Puzzle Mode: Solve puzzle boards with no time limit.This is the ‘pure’ form of the game, but it is difficult! Challenge requires more strategy than Scramble. If you have a lot to add please send it in one page at a time. Challenge Mode: Compete against Tilebot in full puzzle mode, with no automatic reshuffling, only undo. Add your content for Moonlight Mahjong Send in your hints and tips, level walkthroughs or how to guides for Moonlight Mahjong and help other gamers get the most of this game.The board is automatically reshuffled when you run out of matches, making this game mode easy to start and fun, yet challenging on the higher levels. Scramble Mode: Match tiles faster than the automated opponent "Tilebot" through increasingly difficult levels.Moonlight Mahjong features four main types of play: Play “arcade style” with progressively difficult levels and high scores, or relax with one of the non-competitive game modes. Intuitive touch control allows you to tilt and turn, zoom in and out to match tiles in 3D. Moonlight Mahjong is Mahjong Solitaire in virtual reality 3D, designed specifically for the iPhone, iPod Touch and iPad. ![]() ![]() ![]() Simply click the export button, which is now at the top of the media window. FilmoraPro lets users add metadata during the export process. It can be purchased for roughly $60 though a trial version is available for free.įEATURES: This software makes video editing easy with lots of extras like built-in audio tracks, sound effects, title presets, transition effects, and more. It’s a new and improved version of the classic Filmora video editor, with many features on par with elite video editing software like Adobe Premiere Pro. Filmoraįilmora is a powerful, easy-to-use multimedia editor released in early 2019. In this post, we share the 8 best video metadata editors for macOS users. It’s also good to have a lightweight, standalone application to edit and customize video metadata quickly. The best multimedia editors have metadata editing features. Without the right metadata, professional video production and editing would be a very uphill task. ![]() This in turn helps viewers find your video when they search Google, iTunes, or video sharing platforms like YouTube and Vimeo.įor more experienced videographers, metadata is useful at every stage of the process of making a video, from production to post-production and publishing. It makes it easy for search engines to correctly identify and index your video. Things like titles, keywords, tags, timestamps, and descriptions are some metadata that should be added to a video before it is published online.Īdding the right metadata to your video is useful for many reasons. Already have an account? Login HERE.Metadata is the pieces of information that help viewers understand what a video is about without having to watch it from start to finish. Want to learn more about AudioAcrobat? Go ahead, give it a try yourself by signing up for a 30 day Free Trial or join one of our FREE Training Classes without signing up for squat. Success will be yours!ĭid you find the above process helpful? Were you able to follow-along? Please let us know!Ĭomment below and connect with us for daily updates! If you agree, go ahead and click the ‘Previous Post’ link beneath this article to continue the joyride!ĭid you get stopped somewhere in the process? Make sure you have LAME correctly setup then shampoo, rinse and repeat the steps listed above. Well that was quick … we’ve already walked through the process of downloading/opening our file, updating metadata using Audacity 2.0.0 for Windows 7 and exporting the file for upload to the Web … and yet it seems as though we had just begun. When satisfied, select File > Export to save the newly edited version and head over to AudioAcrobat in an internet browser to begin the upload process.Īside: If you were to open the Metadata Editor again, or open the file in any other MP3 playback software (iTunes, Windows Media Player, Winamp, etc.), the newly added metadata will now appear - yay! Begin by filling in the information as seen below: Immediately after selecting Open Metadata Editor, the following pop-up window will appear:īy default, if there is no metadata for the file in question, all of the value fields will be blank as seen above. Once the file opens in Audacity, our readers will see something like this:įor the Metadata Editor, we will choose File > Open Metadata Editor as seen below: Open the software and click File > Open, selecting the audio to be edited. Don’t see it listed? Open Audacity from Applications folder in the Dock. Right-click the file and choose Open With and select Audacity from the list. ![]() Now that the file our readers wish to edit is on their computer’s hard drive, they will want to open the file with Audacity. Click the Title of the Audio you wish to Download Step 1: MP3 DownloadĪlready have your file ready to go on your desktop? Skip to Step 2!īefore one can edit their AudioAcrobat recording in Audacity, the first step is to make sure that the file resides on the hard drive of the computer on which editing will be performed.ģ. How would I use this tutorial? If you are a Mac user who has the need to update the important metadata for your digital audio files, this is the tutorial for you!īefore starting: Looking for Setup instructions? Our recent Audacity 2.0.0 for Mac OS X Installation Tutorial should do the trick!įor today’s tutorial, we will be using Audacity 2.0.0 (Unicode) for Mac OS X. In today’s post we walk our readers through the process of using our favorite free, open source audio editing software for Mac, aka Audacity to add or update important metadata to any MP3 file! Wouldn’t you prefer to have that file show pertinent information about the audio, such as the Artist Name, Track Title, Album Title, Year or Genre? Have you ever played an MP3 file on your computer, but only the filename displays in the player. ![]() ![]() Or maybe, just maybe, the designer has something to learn here. Or maybe Bob’s using an unsupported browser. Or maybe the task he’s trying to accomplish is something the team decided not to support. Maybe Bob is not a member of the audience the site has been designed for. Now the designer has something to work with. What if we substituted the word “Why” for “No”? Let’s look at the conversation from the designer’s vantage:īoss: “I think we should do this totally idiotic thing.”ĭesigner (wants to say “no” but instead says): “Why?”īoss: “Because Bob from accounting said he had a hard time accomplishing this task.” And since no designer likes being ordered around, the designer walks away angry, implements the horrible idea, and decides to find another gig as soon as possible. It’s the rare boss that likes feeling stupid, so he will more likely select Choice 2: Make it an order. Choice 1: He can walk away feeling stupid for asking. That’s a horrible idea and I’m offended that you’d even mention it.”Īt this point the boss has two choices, both of which suck. ![]() Here’s how the conversation looks to the boss:īoss: “Hey, I think we should do this totally reasonable thing.”ĭesigner: “No. This is a conversation that happens in every company with a website at one point or another. The fix is obvious to him, so he says to his designer: “Go make this change.” The designer knows better, and says no. Somebody doesn’t like the way something works, or looks. “Anyone who would letterspace blackletter would steal sheep.” “That photo ruins the page.”īut what nobody ever teaches us is perhaps the most important thing you can learn to be a successful working designer: How to not say “no.” If I could give one piece of advice to the designer just getting into client work, or even some who’s been doing this for a while, it’s this: The next time you want to say “no” to a client, boss, or colleague, say this instead: “Why?” “I can’t believe they chose that font,” we’ll say. Ask a designer about the design of something and we’re emphatic. ![]() We learn to be hard on ourselves and each other in design classes and reviews. Selecting a font, a color, a photo … almost every decision we make is about selecting the best option and saying “no” to the rest.Īs a result, we can be a pretty grumpy bunch. Picking a task to enable means saying “no” to all the other possible tasks (or, at the very least, deprioritizing them). Choosing a primary audience means saying “no” to all the others. Being a designer is all about embracing the word “no.” When we sit down with a blank slate and a job to do, we have to say “no” over and over again. ![]() |